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DIRECTOR / CHOREOGRAPHER / MOVEMENT DIRECTOR
KALLY LLOYD-JONES

"movement sequences by Kally Lloyd-Jones that conjure up the rebellious fighting discipline of Cyrano’s Gascon cadets in unforgettable style"
★★★★★ The Scotsman
CYRANO DE BERGERAC, Citizens/NTS/Lyceum, photo by Mihaela Bodlovic

‘The chorus are a spectacular riot, Kally Lloyd-Jones’ choreography eye-catching’
★★★★ The Scotsman
Merry Widow, Scottish Opera/Opera Holland Park, phot by Mihaela Bodlovic

'Choreographer Kally Lloyd-Jones’ ensemble numbers are sublime.'
★★★★ The Stage
Grease, Pitlochry Festival Theatre, photo by Dannywithacamera

“Lloyd-Jones does not sentimentalise her material, yet in this impeccably researched, beautifully performed piece, she conjures a world in which genius and insanity, youth and age speak to each and make perfect sense.”
★★★★★ The Guardian
Nijinsky's Last Jump, Company Chordelia, directed by Kally Lloyd-Jones, photo by Maria Falconer

Kally Lloyd-Jones’ striking movement is skilfully realised by the entire company '
★★★★★ The Stage
A Midsummer Night's Dream, Scottish Opera photo by James Glossop

"elegant and eviscerating" ★★★★★ The Stage
Lady Macbeth: Unsex Me Here, Company Chordelia, directed by Kally Lloyd-Jones, photo by Jane Hobson

"An in-missable, five-star tribute to one of Scotland’s greats by a production and performing team of the highest quality."
Glasgow Theatre Blog ★★★★ The Herald
Jamie MacDougall as Lauder, Scottish Opera, directed by Kally Lloyd-Jones, photo by James Glossop

more than once I found myself in tears at the thoughts and feelings evoked by the movement and its touching execution'
★★★★ The Scotsman
The Chosen, Company Chordelia, directed by Kally Lloyd-Jones, photo by Nadine Boyd

Explosive dance sequences that capture the fierce suppressed energy of Bomont's younger generation'
★★★★ The Scotsman
Footloose, Pitlochry Festival Theatre/New Wolsey Theatre, photo by Fraser Band

'It was a triumphant success' Edinburgh Music Review
Le Vin herbé, Byre Opera, directed by Kally Lloyd-Jones, photo by Louise Anderbjörk
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